Fear as a Tool for Social Mutation: Between Power and Perception
Author: ©2024 William Castano-Bedoya
THREE-MILE CHRONICLES: Reflections on Fear
As I walked today, the nearly nonexistent soft Florida autumn breeze and the rustling of Miami’s leaves beneath my feet reminded me of how fleeting life is, and how fear, that constant shadow, can take many forms… That personal fear, so intrinsic to the human experience, seemed to surround me, not only within myself but in everyone around me. It was as though with every step, every breath, fear spread like an invisible web connecting us all. That day, as I walked my usual route, something changed. I reflected not only on the fear I felt but also on that collective fear we all share, a fear that feeds off the uncertainties that stalk us from every corner of the world.
We cannot move through our existence without contemplating the influence of fear, that omnipresent phenomenon that shapes our journey through this human mutation we call life. Fear, that essentially human emotion, becomes a powerful weapon: materialism can use it to silence idealism, while, paradoxically, idealism can be used to batter the structures of materialism. This dialectical game between the two forces is crucial to understanding how fear becomes a tool for social and political control.
Throughout history, fear has served both to empower and to limit power. As a force at the heart of power structures, fear not only energizes politics but acts as a brake, a control mechanism that perpetuates the dominance of certain groups while hindering societal progress. This duality of fear is fundamental to understanding how perceptions and collective behaviors are manipulated in contemporary society.
“Courage is resistance to fear, mastery of fear—not absence of fear.”
— Mark Twain (American author)
Fear has been used throughout different eras as a tool to strengthen power. During times of crisis, whether social, economic, or security-related, those who dominate the media and public narratives have learned how to use fear to mobilize the masses, whether in favor of a political cause or to justify the oppression of certain groups. In times of fear, authoritarian and restrictive policies find fertile ground for implementation.
Today, fear is no longer confined to war or pandemics. The constant threat of social, economic, and ecological crises is used to maintain control over public opinion. The narratives that generate fear are not based on the reality of an imminent threat but on the construction of a narrative that distorts the perception of the world. Rather than fostering cooperation and understanding, fear fragments, divides, and pits individuals against each other, creating an environment where the “other” becomes the enemy.
“The fear of the unknown is the root of all evil, and when we don’t understand what is happening, we invent enemies. And we say they are dangerous.”
— José Saramago, Nobel Prize in Literature in 1998
A clear example of this manipulation of fear can be found in immigration policies, where the creation of an “external threat” is presented as justification for exclusionary and repressive policies. This type of fear not only affects immigrants but also citizens who fear for their economic and social security. In this way, fear not only reinforces inequalities but perpetuates them, creating artificial divisions that favor those in power.
Fear, then, is not just a reaction to a real threat. In many cases, it is constructed as a strategic tool to maintain the hegemony of certain groups. This type of fear, amplified by the media and social networks, influences how we perceive others and how we interact with the world. In this sense, fear is much more than an emotion: it is a social construct that can be used to shape reality and collective perceptions in a strategic manner.
“Money and fear, we never had.”
— Juan Fernando Quintero, Colombian Soccer Player
These days, I listened to an interview with a football player whose talent helped bring home a coveted continental title. I was moved not only by the nobility of his face in the wake of overwhelming triumph but by the depth of his words, which came from humility. Despite being a star, he belongs to the humble people who follow and revere him as a great idol. This player made a firm and spontaneous statement that, though unprepared, etched itself in my memory: “Money and fear, we never had.”
This declaration, profound in its simplicity, accompanies me as I think about the projects ahead. As we move forward in the fabric of human history, marked by fear and its many forms of manipulation, my future efforts center on a vision that, though perhaps utopian, seeks to live without the fear that has been used as a tool for control and division. For, as collective experience teaches us, the future will only truly be ours when we dare to imagine and build it without the shadow of fear that holds us back.
In conclusion, fear has ceased to be a simple instinctive reaction. Today, it has transformed into a powerful tool of social control, used by those in power to divide, manipulate, and perpetuate their influence. To confront this manipulation, we must learn to recognize how fear is created and distributed, question the narratives imposed on us, and seek ways to rebuild a society based on mutual understanding and respect, not on fear.
Human history is marked by fear, and the future will only truly be ours when we learn to recognize this fear and choose, above it, the possibility of building a more compassionate and equitable reality.
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William Castaño
William is a Colombian-American writer who captivates readers with his ability to depict both the unique experiences and universal struggles of humanity. Hailing from Colombia’s Coffee Axis, he was born in Armenia and spent his youth in Bogotá, where he studied Marketing and Advertising at Jorge Tadeo Lozano University. In the 1980s, he immigrated to the United States, where he naturalized as a U.S. citizen and held prominent roles as a creative and image leader for projects with major corporations. After a successful career in the marketing world, William decided to fully dedicate himself to his true passion: literature. He began writing at the turn of the century, but it was in 2018 when he made the decision to make writing his primary occupation. He currently resides in Coral Gables, Florida, where he finds inspiration for his works. William’s writing style is distinguished by its depth, humanity, and authenticity. Among his most notable works are ‘The Beggars of Mercury’s Light: We the Other People’, ‘The Galpon’, ‘Flowers for María Sucel’, ‘ Ludovico’, and ‘We’ll meet in Stockholm”.
