Here I Stand, in Exile
© 2018 · Author: William Castaño-Bedoya Many of my exiles mirror the exiles of Gilberto in “Flores para María Sucel,” a novel I penned to endure my melancholy and f
The Last Tango of Salvador Allende: The Utopia of a Communist President Who Didn’t Want to Be One
Author: ©2023 William Castano-Bedoya The novel “The Last Tango of Salvador Allende,” written by Chilean author Roberto Ampuero and published by Plaza & Janes in 20
Transcending Overdiagnosis: Praxis as the Catalyst for Change in Latin America
© 2021 · Author: William Castaño-Bedoya Reflections on the Political, Economic, and Social Challenges of the Region and the Necessity of Effective Action. In a world where diagn
Exploring “The Galpon” (The Shed): Reflection on the Human Condition, Double Standards, and Corporate Social Responsibility
© 2023 · Autor: William Castaño-Bedoya In the novel “The Galpon,” the characters Ethan, a lifelong manager at HanssenBox, and Oliver, an external advisor accompany
Crypto, the new faith of materialism
© 2021 · Author: William Castaño-Bedoya The song known worldwide as What Color is God’s Skin? written in 1968 by Tom Wilkes & David Stevenson, released by their band ̶
The amazing semiotic strength of Süskind’s “Perfume”
Author: William Castaño-Bedoya · ©2015 A few years ago, in 2015, due to those vagaries of fate that we sometimes weave for ourselves, my eyes stumbled onto the figure of a
Flores para María Sucel, in the eyes of Alberto de la Rosa
Author: ©2021 Alberto de la Rosa · Blog Director : “Igual pero distinto”. (Click here to go to the original blog) Reproduced by Book&Bilias with the prior permis
William Castaño-Bedoya, the Quindian writer who transforms exiles into literary works
Esta es una entrevista realizada por La Crónica del Quindío.
Gotié
©2012 Author: William Castaño-Bedoya I wrote this story as part of a challenge that a group of literature enthusiasts set up for ourselves. I wrote it during the first phase of
I confess I have read: “2666”
Author: William Castaño-Bedoya The interview conducted by Cristián Warnken, professor of literature and celebrity of the Chilean intelligentsia society in 1999 with Roberto Bola
William Castaño
William is considered a deep and experiential writer who represents the uniqueness of the human. In Flores para María Sucel, he reveals “the exiles of being”, and in Ludovico's monologues, the impact of frustration and powerlessness as factors that make up the absurd.
